“I’m mindful of that because I might be singing these songs for people who are hearing them for the first time.” “It happens when they hear Pink sing ‘Over the Rainbow’ at the Oscars,” he says. In all of his clubs, not to mention his audiences around the world, he is finding younger listeners who are discovering the songbook classics. He took over 54 Below in New York a couple of years ago. But Feinstein not only brought his name to the club, he also brought his connections and his seasoned bookers from his days running Feinstein’s at the Regency in New York, from 1999 to 2012. The space had been occupied by the Rrazz Room, which evolved from the old Plush Room at the York Hotel. It feels like more of an effort to go out in New York because of the madness of the city.”Īlmost from the beginning, Feinstein’s at the Nikko came to dominate the cabaret scene in the Bay Area, which is, admittedly, not overpopulated. “I think when people come out on the town here, they like to get dressed up and do their thing, but it’s a relaxed night out. “This town is unique in every way, and this room has evolved to reflect that,” he says, describing the local audience as “erudite, relaxed” compared with New York. That said, he has a good sense of how the Bay Area audience differs from its Gotham counterpart. “It has to do with location, the room itself, the energy in the room, but mostly the demographic of the city and the population.” “No one can predict what will happen with a room when they open it,” he says.
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